Shadow of the Wind by Carlos Ruiz Zafón

 

I gobbled up every page in this book (all 500+ of them) in a matter of days. I’m a slow reader but by abandoning all my daily responsibilities, showering less, and taking the book with me to the bathroom; I was done reading in less than a week. And I regret nothing! Except maybe that I didn’t read it sooner (because I thought it would be just another generic work for the popular fiction isle). And someone may disagree but this is anything but generic. Inside this heavy tome lies a plethora of genuine and original thought. The main theme of these thoughts could be categorised under ‘Spanish history’ but under that there is still more; layers of it, which you won’t even pick up on your first reading.

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Ten Classics in One Sentence.

  1. Nineteen Eighty-Four

The how-to guide to taking out your sexual frustrations  – “The proles are the future!”

  1. Pride and Prejudice

I thought he was awful but it turns out he’s okay, now we’re married. The End.

  1. The Great Gatsby

That long-lost love should’ve stayed lost.

  1. To Kill a Mockingbird

Racism is bad, I can’t believe some people needed a whole book to understand that.

  1. Wuthering Heights

She’s dead but I still prefer her over you, sorry.

  1. Jane Eyre

I’ll marry you if you don’t tell anyone about my pyro wife living in the attic.

  1. Moby Dick

This book is so long sometimes they print it using bible paper.

  1. The Adventures of Tom Sawyer

A world where children scam other children to win a Bible competition.

  1. The Catcher in the Rye

Growing up is hard okay!

  1. Alice’s Adventures in Wonderland

…so I’m gonna drink tea and get high, bye y’all!

What is Literature?

This seems like a fastidious thing to debate but bare with me.

The Debate

‘What is literature’ has been a hot topic of discussion for centuries, definition has always been important for academics, and they spend a large amount of time on prolonged discussions of outdated ideas. This also means new genres or contributions to literature won’t make it on the agenda for a few more decades.

Countless essays and books have been written to argue on the point of what makes literary writing literary, and not just ordinary. Often, however, these essays were written simply to argue that a genre (penny journals during the 19th century, for example) has no literary value on offer. The whole debate can easily turn into a dull gyrating war of terminology.

However, the whole debate can be simplified and broken down into two parts:

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